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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3170
Winterauktionen 25.–26.11.2022
Victors, Jan
1619 Amsterdam - 1677/83 Dutch East Indies.
«Der Dorfmetzger (the village butcher)».
Around 1650. Oil on canvas, relined. Signed lower left. Verso on the stretcher a printed label with the work's and artist's data as well as the provenance. Verso on the stretcher and canvas three customs stamps.
H 65,5, W 94,5 cm (support). Elaborate frame.
Jan Victors was a painter of the Golden Age of Dutch painting. This cultural heyday brought forth outstanding painters such as Vermeer and Rembrandt and alongside them many painters specializing in certain pictorial subjects. Often referred to as a student Rembrandts, but probably only assumed as such, Jan Victors was an expert in history and genre painting, who masterfully captured events at the market, the dentist or butchers.
In the Rijksmuseum in Amsterdam there is a painting by his hand dating 1648 which resembles the present work in format, motif and composition as well as in the reproduction of the figures (inventory number SK-C-259).
Authentication: We would like to thank Dr. Fred G. Meijer, expert on Dutch and Flemish painting of the 17th century, Amsterdam, for the authentication via E-Mail, based on photos, 26.08.2022.
Provenance: Duke of Beaufort; Marquis of Waterford and line of succession; Sotheby's London, 08.12.1971, Lot 23; purchased at Collection K.W.D. Gratama, Heemstede, in 1975; since then private collection Mönchengladbach in second generation.
Archive: The present work is registered at the archive of the Nederlands Instituut voor Kunstgeschiedenis (RKD), Den Haag, in the directory Cornelis Hofstede de Groot under division number 280, file number 1587256, illustration number 0001019913 (https://rkd.nl/nl/explore/excerpts/584045).

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hammer price: 5000,- EUR
(starting price: 5000,- EUR)