.
Carl Spitzweg
5th February 1808 – 23th September 1885
Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.
A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.
In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.
As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.
To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.
Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.
He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.
Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.
Carl Spitzweg
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4745
Frühjahrsauktionen 14.–16.06.2012
Eeckhout, Gerbrand van den attr.
1621 Amsterdam - 1674 ebd.
E Oriental horseman. Ink on paper. Collectors initials «J.C.R.» lower left. Minor traces of creasing. Passepartout. Attribution: We would like to thank Mr Erik P. Löffler M.A., Conservator oude Nederlandse teken- en prentkunst, Rijksbureau voor Kunsthistorische Documentatie (RKD), The Hague, for the confirmation of the attribution to Gerbrand van den Eeckhout. The initials J.C.R. belong to the collector John Charles Robinson (1824 - 1913), former director of the South Kensington Museum (now Victoria and Albert Museum), London. Provenance: private property. Literature: Werner Sumowski, Drawings of the Rembrandt School, vol. 3, New York 1980, p. 1598, no. 741AX. 
1621 Amsterdam - 1674 ebd.
Orientalischer Reiter. Tusche/Papier. Die Zeichnung eines Mannes zu Pferd in Rückansicht, das Gesicht im Profil, in orientalischer Tracht mit Federturban, bewaffnet mit einer Lanze, einem Schwert sowie mit Pfeil und Bogen. U.l. Sammlerinitialen «J.C.R.». Kl. Knickspuren. H. 20,8, B. 13,1 cm (Blattgröße). Passepartout.
Zuschreibung: Wir danken Herrn Erik P. Löffler M.A., Conservator oude Nederlandse teken- en prentkunst, Rijksbureau voor Kunsthistorische Documentatie (RKD), Den Haag, für die Bestätigung der Zuschreibung an Gerbrand van den Eeckhout.
Eine ältere Begutachtung ordnet die Arbeit Rembrandt zu. Erst im Jahr 1980 wird die Zeichnung in dem Werk «Drawings of the Rembrandt School, Bd. 3, New York» dem Maler Gerbrand van den Eeckhout zugeschrieben. Die Initialen J.C.R. stehen für den Sammler John Charles Robinson (1824 - 1913), ehemaliger Direktor des South Kensington Museum (jetzt Victoria and Albert Museum), London.
Provenienz: Privatbesitz.
Literatur: Werner Sumowski, Drawings of the Rembrandt School, Bd. 3, New York 1980, S. 1598, Nr. 741AX.