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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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 Image under artist's copyright.

2134
Frühjahrsauktionen 10.–12.06.2010
Ernst, Max
1891 Brühl b. Köln - 1976 Paris.
Öl/Lw. «Venus vue de la terre». Auf schwarz-blauem Grund zwei rechteckige blaue Felder mit wellenförmigen Streifen, darüber eine grün-orangefarben glühende Scheibe mit gelblich und grünlich einwachsenden Zweigen. U.r. sign. Verso Etikett der Galerie Alexander Iolas, New York, darauf 1962 dat., Etikett der «The New Arts Gallery», Houston, sowie Ausstellungsetikett «Dada and Surrealism in Chicago Collections». H. 46, B. 38 cm.
Max Ernst gehört zu den großen Revolutionären der Kunst des 20. Jhs. Der Autodidakt erfand neue indirekte künstlerische Techniken wie die Frottage und die Grattage, die darauf abzielen, die Hand des Künstlers und den schöpferischen Prozess unkenntlich zu machen.
Die Entwicklung der Raumfahrt in den 1960er Jahren inspirierte Ernst zu einer Reihe von Kosmologien und Planetenbildern, zu denen das vorliegende Gemälde gehört.

Provenienz: Alexander Iolas Galerie, New York; Brooks Jackson, New York; Sammlung Henry D. Paschen, Chicago; Christie's New York, 08.11.1995, Los 261; Süddeutsche Privatsammlung.
Ausstellungen: Oltre la pittura. Palazzo Grassi - Venezia, 17.06. - 02.10.1966, Nr. 37; New York 1966, Nr. 38; Dada and Surrealism in Chicago Collections, Museum of Contemporary Art, Chicago, 01.12.1984 - 27.01.1985.
Literatur: XXe siècle, 26. Jg., Mai 1964, Nr. 23.
Werkverzeichnis: Spies 3635. Dort auch unter dem Titel «La vie pastorale».

english «Venus vue de la terre». Oil on canvas. Signed lower right. Verso label of Alexander Iolas Gallery, New York, thereon dated 1962, label of «The New Arts Gallery», Houston, and exhibition label «Dada and Surrealism in Chicago Collections». Provenance: Alexander Iolas Gallery, New York; Brooks Jackson, New York; Henry D. Paschen collection, Chicago; Christie's New York, 08.11.1995, lot 261; private collection South Germany. Exhibitions: Oltre la pittura. Palazzo Grassi - Venezia, 17.06. - 02.10.1966, no. 37; New York 1966, no. 38; Dada and Surrealism in Chicago Collections, Museum of Contemporary Art, Chicago, 01.12.1984 - 27.01.1985. Literature: XXe siècle, vol. 26, may 1964, no. 23. Catalogue raisonné: Spies 3635. Alternative title: «La vie pastorale».
 

hammer price: 140000,- EUR
(starting price: 65000,- EUR)