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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2095
Winterauktionen 25.–26.11.2022
Jorn, Asger
1914 Jutland - 1973 Aarhus.
«Vitalità nell'arte».
Two colour serigraphs (proof prints) on wove paper. Signed lower middle, dated (19)59 and numbered «Epreuve d'artiste». Signed lower right on the stone and dated 1959. One sheet typographically printed for the exhibition «Vitalità nell'arte» in the Palazzo Grassi in Venice.
H 100, W 70 cm (sheet). Framed.
Poster for the exhibition «Vitalità nell'arte» in Venice. Hand signed artist's copies from an edition of almost 100 proofs in many colour variations (only some of which were signed). The sheets give a close-up insight into the artist's working methods. In his search for the perfect composition of colours, Jorn «[…] moved his workspace to the printing house, and next to the machines he amused himself - you can believe him - by trying out all possible colour assemblies, exploring all combinations.» from: Paolo Marionotti, Dipingere con le macchine, cited after van de Loo 221.
Published by Centro Internazionale delle Arti e del Costume, Venice. Printed by Amilcare Pizzi, Milan.
Provenance: private collection Lake Constance.
Catalogue raisonné: van de Loo 221.

Condition report  


 

hammer price: 650,- EUR
(starting price: 500,- EUR)