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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2059
Herbstauktionen 05.–06.12.2014
Brecht, George und Robert Filliou
1926 New York - 2008 Köln bzw. 1926 Sauve - 1987 Les Eyzies-de-Tayac-Sireuil.
«La Cedille Qui Sourit». 1969. Assemblage, consisting of a slip case cardboard box mimicking an oversized matchbox and containing a standard sized one filled with four hook screws, also included are die-cut cards, leaflets, a text by curator Johannes Cladders and loose pages. Typographically inscribed with the artist's names, as well as with the exhibition's data on the title page of the document-collection. Verso numbered «0201» on the last page. All pages with text in German, English and French. Box stabilised.
In 1965, the Fluxus artists George Brecht and Robert Filliou opened a small shop called «La Cedille Qui Sourit» in Villefranche-sur-Mer, which has been a creative workspace and drop-in centre for friends and artists of the Fluxus movement. Amongst others they offered works and editions by Ben Vautier, George Maciunas and Daniel Spoerri. Short after they closed their shop the artists were invited to exhibit at the Städtisches Museum in Mönchengladbach. The present work, published in an edition of 440 numbered examples, accompanied the exhibition, which ran from June 18th to July 27th 1969.

deutsch 1926 New York - 2008 Köln bzw. 1926 Sauve - 1987 Les Eyzies-de-Tayac-Sireuil.
«La Cedille Qui Sourit». 1969. Assemblage, bestehend aus der überdimensionierten Imitation einer Streichholzschachtel, einer innenliegenden Streichholzschachtel üblicher Größe befüllt mit vier metallenen Wandhaken sowie einem Konvolut links oben passend zur Streichholzschachtel ausgestanzter bedruckter Karten, Broschüren, dem Text des Ausstellungskurators Johannes Cladders und loser Seiten. Auf dem Deckblatt des Konvolutes an Schriftstücken typographisch bez. mit den Namen der Künstler sowie den Ausstellungsdaten. Verso auf der letzten Seite «0201» num. Alle Seiten typographisch beschriftet in Deutsch, Englisch und Französisch. Schachtel geklebt.
H. 16,5, B. 20,6 cm (Schachtel).
Die Fluxus-Künstler George Brecht und Robert Filliou eröffneten 1965 in Villefranche-sur-Mer einen kleinen Laden mit dem Namen «La Cedille Qui Sourit», der bis 1969 ein kreativer Treffpunkt für Freunde und Künstler der Fluxus-Bewegung war. Angeboten wurden unter anderem Werke von Ben Vautier, George Maciunas und Daniel Spoerri. Kurz nach der Schließung des Ladens folgten die Künstler einer Einladung, im Städtischen Museum Mönchengladbach auszustellen. Begleitend zu dieser Ausstellung vom 18. Juni bis 27. Juli 1969 entstand die hier präsentierte Arbeit in einer Auflage von 440 nummerierten Exemplaren.

 

hammer price: 400,- EUR
(starting price: 400,- EUR)