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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2288
Herbstauktionen 04.–05.10.2013
«Vision Russe (I und II)»
Portfolio «Vision Russe (I and II)». Edited by Editions Art-C.C., Christophe Czwiklitzer, Paris 1972/73. 16 lithographs in colours on vellum. Comprising Part I: Michel Andreenko, «Composition héroïque»; Serge Charchoune, «Drapeau imaginaire»; Pierre Dmitrienko, «Le fusillé» Pierre Grimm, «Structures polychromes»; Nadia Khodossievitch-Léger, «Suprématisme»; Paul Mansouroff, «L'expression statique d'une tension dynamique»; Anna Stanitsky, «Le jardin levait vers la nuit son squelette antédiluvien»; Ossip Zadkine, «La musique». Part II: Georges Annenkov, «Motif abstrait»; Leonardo Benatov, «Mélodie de l'infini»; Maurice Blond, «Une chaise et un violon»; Philippe Hosiasson, «Alba»; Nicolas Issaïev, «Soleil à Roquebrune»; Ida Karskaya, «Un des Ancêtres»; André Lanskoy, untitled; Léon Zack, «Méditation». Each signed and numbered by the artist in pencil. Each signed and numbered 14/75 by the publisher in pencil. Complete portfolio. Good condition. Minor discolouration. Original box. Provenance: in the 1980s purchased from the editor Christoph Czwiklitzer; since then South German private collection.
Herausgegeben bei Editions Art-C.C., Christophe Czwiklitzer, Paris 1972/73. 16 Farblithographien/Velin. Bestehend aus Teil I: Michel Andreenko, «Composition héroïque»; Serge Charchoune, «Drapeau imaginaire»; Pierre Dmitrienko, «Le fusillé»; Pierre Grimm, «Structures polychromes»; Nadia Khodossievitch-Léger, «Suprématisme»; Paul Mansouroff, «L'expression statique d'une tension dynamique»; Anna Stanitsky, «Le jardin levait vers la nuit son squelette antédiluvien»; Ossip Zadkine, «La musique». Teil II: Georges Annenkov, «Motif abstrait»; Leonardo Benatov, «Mélodie de l'infini»; Maurice Blond, «Une chaise et un violon»; Philippe Hosiasson, «Alba»; Nicolas Issaïev, «Soleil à Roquebrune»; Ida Karskaya, «Un des Ancêtres»; André Lanskoy, o.T.; Léon Zack, «Méditation». Jeweils vom Künstler mit Bleistift sign., teilweise zweifach, und num. sowie jeweils im Impressum vom Herausgeber sign. und 14/75 num. Mit Inhaltsverzeichnissen. Das Mappenwerk ist vollständig und in gutem Zustand. Min. Lichtrand.
Provenienz: in den 1980er Jahren vom Herausgeber Christoph Czwiklitzer erworben; seitdem süddeutsche Privatsammlung.