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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1366
Herbstauktionen
Verheyen, Jef
1932 Itegem - 1984 St-Saturnin-d'Apt.
«Lichtstrom II (light flux II)». Oil on canvas. Verso signed, dated (19)69 and indistinctly inscribed, titled on stretcher frame. Verso exhibition label «Musée d'Art Moderne et d'Art Contemporain, Nice». Provenance: gallery Jöllenbeck, Cologne; since 1985 in private collection. Exhibition: Zero International, Musée d'Art Moderne et d'Art Contemporain, Nice, 1998. 
1932 Itegem - 1984 St-Saturnin-d'Apt.
«Lichtstrom II». Öl/Lw. Weiße Farbfläche von rötlich bzw. gelblich schimmerndem Nebel durchzogen. Verso sign., (19)69 dat. sowie undeutlich bez., auf Keilrahmen bet. Verso Ausstellungsetikett «Musée d'Art Moderne et d'Art Contemporain, Nice». H. 60, B. 60 cm.
Die puristische Ästhetik und Betitelung des Gemäldes «Lichtstrom II» von Jef Verheyen verdeutlicht den engen Bezug des belgischen Malers zu den Ideen der Künstlergruppe Zero. Die Thematisierung des Lichtes, welches die ZERO-Künstler, beispielsweise durch spiegelnde oder durchsichtige Oberflächen, in ihre Kunstobjekte einbezogen, zeigt sich hier in der durch zarte Farbschleier durchbrochenen Monochromie der weißen Farbe.
Provenienz: Galerie Jöllenbeck, Köln; seit 1985 in Privatsammlung.
Ausstellungen: Zero International, Musée d'Art Moderne et d'Art Contemporain, Nizza, 1998.