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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3231
Winterauktionen 20.–21.11.2020
Trevisani, Francesco after
1656 Capodistria - 1746 Rome.
Penitent Magdalene.
Oil on canvas, mounted on panel. Inscribed lower right «F.T.». Verso on the back board on a label inscribed by a different hand with the work's data and information about the restoration of 1963. Surface soiling, retouchings, lower edge extended.
H 100,
The composition of the penitent Magdalene is borrowed from a work by Francesco Trevisani which has been imitated several times. Coming from the eastern Adriatic Sea of the Maritime Republic of Venice, he gained his first experience in the lagoon city as a student of Antonio Zanchi. After he arrived in the Eternal City in 1678, he discovered his formative role models in Roman Baroque painters and found loyal patrons in wealthy cardinals.
Literature: Frank R. DiFederico, Francesco Trevisani, Eighteenth-Century Painter in Rome, A Catalogue Raisonné, Washington D.C. 1977, 
Trevisani, Francesco nach
1656 Capodistria - 1746 Rom.
Büßende Magdalena.
Öl auf Leinwand, auf Holz kaschiert. U.r. bez. «F.T.». Verso auf der Rahmenrückwand auf einem Etikett von fremder Hand bez. mit den Angaben zum Werk und zur Restaurierung von 1963. Oberflächenverschmutzung, Retuschen, unterer Bildrand verlängert.
H.
Die Komposition der büßenden Magdalena ist einem mehrfach nachgeahmten Werk von Francesco Trevisani entlehnt. Vom östlichen Adriaufer der Seerepublik Venedig stammend, sammelte er in der Lagunenstadt seine ersten Erfahrungen als Schüler von Antonio Zanchi. Nachdem er 1678 in der Ewigen Stadt angekommen war, fand er in den römischen Barockmalern seine prägenden Vorbilder und in wohlhabenden Kardinälen treue Mäzene.
Literatur: Frank R. DiFederico, Francesco Trevisani, Eighteenth-Century Painter in Rome, A Catalogue Raisonné, Washington D.C. 1977, Kat.Nr. 39, 40, Tafel 31, 32 (vgl.).