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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3064
Herbstauktionen 06.–08.12.2012
Cellarius, Andreas
Coeli stellati christiani haemisphaerium prius. Amsterdam, 1708. Coloured engraving. Minor discolouration, verso old colouring oxidized, slightly restored. Unframed. Engraved by J. van Loon, published by P. Schenk and Gerard Valck, Amsterdam, 1708. Literature: Koeman I, 1:802; Koeman I, HM22:1/2; Warner p. 54, 1C; Zögner, Welt p. 30, II/10. - no. 22, V&S.
Ca. 1596 Neuhausen - ca. 1665 Hoorn.
Coeli stellati christiani haemisphaerium prius. Amsterdam, 1708. Kolorierter Kupferstich. Christliche Sternenbilder im Tondo. Leicht gebräunt, Altkolorit oxidiert, min. rest. H. 43,5, B. 51,3 cm (Darstellung), H. 52, B. 60,8 cm (Blattgröße). Ungerahmt.
Wahrscheinlich zeitgenössisch kolorierte Kupferkarte von Andreas Cellarius aus seinem berühmten Himmelsatlas «Harmonia Macrocosmica», gestochen von J. van Loon, herausgegeben bei Gerard Valck und P. Schenk, Amsterdam, im Jahre 1708 (Karte 22). Die Darstellung zeigt die christlichen Sternbilder, wie sie der Augsburger Julius Schiller statt der «heidnischen» Bilder der Antike eingeführt hatte. Hierbei handelt es sich um die zweite Ausgabe ohne die erst in der dritten Auflage hinzugesetzte Adresse von Valck & Schenk.
Literatur: Koeman I, 1:802; Koeman I, HM22:1/2; Warner S. 54, 1C; Zögner, Welt S. 30, II/10. - Num. 22, V&S.