Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
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3290
Herbstauktionen 19.–20.10.2018
Rizaikone der Gottesmutter Iwerskaja
Mother of God Iverskaya with riza. Russia 1880. Egg tempera over chalk and gold ground on panel, and silver 84 zolotnik. The Mother of God holding her son pointing towards him. The Redeemer with a closed scroll giving a blessing. Finely chiselled and embossed riza with tendril ornaments and attached halos. Hallmark as well as maker's mark in Cyrillic «I.Sch.», assayer's mark in Cyrillic «I.K. 1880» and city mark, not interpreted. Signs of age.
H 31,6, W 26,7 cm.
This theme is also known as «Panagia Portaitissa» and belongs to the Byzantine type of Hodegetria. The original icon with this type of depiction is said to have been painted by Luke the Evangelist and was located in a monastery in Constantinople since the 5th Century, where a miraculous spring was supposed to cure blindness. The monks leading the blind to the spring were called Hodegoi - Greek for leading the way - and gave the icon its name.
Provenance: private collection Upper Palatinate.
Russland 1880. Eitempera über Kreide- und Goldgrund auf Holz, und Silber 84 Solotnik. Die Gottesmutter hält ihren Sohn und deutet auf ihn. Der Erlöser mit einer geschlossenen Schriftrolle hat die Hand zum Segensgestus erhoben. Fein getriebene und ziselierte Riza mit Rankendekor und aufgesetzten Nimben. Feingehaltsstempel sowie Meistermarke in Kyrillisch «I.Sch.», Beschaumeisterzeichen in Kyrillisch «I.K. 1880» und Stadtmarke, ungedeutet. Altersspuren.
H. 31,6,
Dieses Thema ist auch unter dem Namen «Gottesmutter von der Pforte» bekannt und gehört nach der Art der Darstellung zum byzantinischen Typus der Hodegetria. Die Urikone dieses Typus' soll vom Evangelisten Lukas geschaffen worden sein und wurde seit dem
Provenienz: Privatsammlung Oberpfalz.