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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3072
Herbstauktionen 06.–08.12.2012
Auktionskatalog Fischer
Catalogue of auction 60 of gallery Fischer, Lucerne, 30. June 1939. «Gemälde und Plastiken Moderner Meister aus Deutschen Museen». 67 p. (gr.4°) with 60 ill. Incl. the rare results list, «Freikarte» (free ticket) and the «Persönlichen Einladung zur Besichtigung der Auktions-Ausstellung» (personal invitation). Original brochure. Age-related condition. Literature: Buomberger, Th., Raubkunst-Kunstraub, Zürich 1998, p. 55 - 64.
Katalog Auktion 60 der Galerie Fischer, Luzern, 30. Juni 1939. «Gemälde und Plastiken Moderner Meister aus Deutschen Museen». 67 S. (gr.4°) mit 60 Abb. Originalbroschüre. Rücken etwas eingerissen, sonst guter, altersbedingter Zustand.
Der legendäre, seltene und außerordentlich gesuchte Katalog sogenannter entarteter Kunst, inklusive der meist fehlenden Ergebnisliste, sowie der eingehefteten «Freikarte» der «Persönlichen Einladung zur Besichtigung der Auktions-Ausstellung». Der Katalog, ein wichtiges Zeitdokument, enthält Werke von Barlach, Beckmann, Chagall, Corinth, Derain, Dix, Ensor, Feininger, Grosz, Gauguin, Heckel, Klee, Kirchner, Kokoschka, Lehmbruck, Liebermann, Macke, Marc, Modersohn, Modigliani, Otto Müller, Nolde, Pechstein, Schmidt-Rottluff, Vlaminck u.a. Darunter auch das aus der Münchner Staatsgalerie entfernte Selbstporträt Vincent van Goghs, das mit 175.000 Franken den höchsten Preis erzielte, gefolgt von Picassos «Zwei Harlekine» für 80000 Franken.
Literatur: Buomberger, Th., Raubkunst-Kunstraub, Zürich 1998, S. 55 - 64.