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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2115
Winterauktionen 24.–25.11.2023
Adam, Emil
1843 Munich - 1924 ibid.
«Morgenscene im Paddok (morning scene in the paddock)».
Oil on canvas. Signed lower right and dated 1916. Verso on the stretcher on a label titled and inscribed «(Vollblutpferde (thouroughbreds))» and «Ölgemälde von Prof. Emil Adam. München 154, Nymphenburgerstr (oil painting by Prof. Emil Adam. Munich 154, Nymphenburgerstr)» as well as remains of a printed label from the Galerie Reith, Munich.
H 58,
Noble racehorses are the preferred subject of the artist Emil Adam. He quickly became a painter of prominent horses as well as horse owners. Among others, he painted for the Duke of Westminster, the Prince of Wales and William Kissam Vanderbilt, meaning that his works hung in the noblest houses in Europe at the time. His house at 154 Nymphenburger Str. in Munich was also referred to as «Adamshall».
Provenance: Sotheby's, London, auction 05.10.1988, lot 151; private collection Markgräflerland.
Condition report 