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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2114
Winterauktionen 25.–26.11.2022
Marow, Ernst
1934 Chojna/West Pomerania - 2018 Kronshagen.
«le champ métaphysique, auch: Das brennende Feld (II) (le champ métaphysique, also: the burning field II)».
Oil on canvas. Signed lower left and dated (19)74/75. Verso signed again twice, dated (19)75, titled two times with the title «Das brennende Feld (II) (the burning field II)» crossed out. Verso on the stretcher on a label titled and inscribed «Galerie Brusberg» presumably by a different hand as well as an exhibition label typographically inscribed with the work's data and inscribed by hand with the provenance.
H 160,
«Ernst Marow was attached to naturalism, studied nature and had the interest in bringing the primal elements and primal components of the earth before the viewer in all their power and presence. [...] corresponding to the painter's realistic conception of form: his landscape paintings, which - reduced to the immediacy of nature and without metaphor - draw the viewer into them and their habitat, where one looks back and looks out...» Sabine Schulz, from: http://www.ernstmarow.de/Der-Maler-Graphiker.
Marow often changed the titles of his paintings after he had modified them. Some works were repainted over decades according to his current understanding of art.
Authentication: We would like to thank Ms Sabine Schulz, widow of the artist, for the authentication via
Provenance: purchased at Galerie Brusberg, Hanover, in 1975; since then private collection Müllheim in the Markgräflerland.
Literature: Peter Hahlbrock, Ernst Marow, Braunschweig 1983, p. 45 (cf.).
Condition report 
starting price: 1500,- EUR