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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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Herbstauktionen
Derrière Le Miroir
10 ans d'edition 1946 - 1956. Aimé Maeght Editeur, Paris 1956. With an introduction by Georges Limbour. With one lithograph in colours by Marc Chagall, signed on the stone, one lithograph by Bazaine, signed and dated (19)56 on the stone, one etching by Joan Miró and one by Alberto Giacometti, each unsigned as well as an unsigned woodcut by Roul Ubac on the cover. One lithograph in colours by Joan Miró is missing. Provenance: private collection.
10 ans d'edition 1946 - 1956. Aimé Maeght Editeur, Paris 1956. Mit einer Einführung von Georges Limbour. Mit einer Farblithographie von Marc Chagall, im Stein u.r. sign., einer Lithographie von Bazaine, im Stein sign. und (19)56 dat., jeweils eine Radierung von Joan Miró und Alberto Giacometti, jeweils unsign. sowie ein Holzschnitt von Raoul Ubac auf dem Umschlag, unsign. Eine Farblithographie von Joan Miró fehlt. H. 38, B. 28 cm.
Provenienz: Privatsammlung.