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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2094
Winterauktionen 20.–21.11.2020
Prym-Kohler, Ruth
Born 1929 Fürth, lives and works in Münsing.
«Schach matt (checkmate)».
Oil on canvas. Signed lower left. Verso signed again, dated «übermalt (overpainted) (19)88» and titled. Verso on the stretcher a printed collection label numbered «Nr. 72» and with the work's data. White shrinking cracks, isolated minor paint loss.
H 104,5,
We would like to thank the artist for the kind remarks.
Provenance: purchased directly from the artist, in 1989; since then private collection Klaus Hug, 
Prym-Kohler, Ruth
Geb. 1929 Fürth, lebt und arbeitet in Münsing.
«Schach matt».
Öl auf Leinwand. U.l. sign. Verso nochmals sign., «übermalt (19)88» dat. und bet. Verso auf dem Keilrahmen ein gedrucktes Sammlungsetikett «Nr. 72» num. und mit den Angaben zum Werk. Frühschwundrisse, vereinzelt kl. Farbfehlstellen.
H. 104,5,
Wir danken der Künstlerin für die freundlichen Hinweise.
Provenienz: erworben 1989 direkt bei der Künstlerin; seitdem Privatsammlung Klaus Hug,