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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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Cruz-Diez, Carlos
Born 1923 Caracas.
«Physichromie N° 1.324». Chromographic and plastic. Verso titled, dated 2000, with inscription «Editiona Trois Exemplares» as well as signed and numbered 3/3 in pencil on artist's label. Wooden artist's frame. For this particular work the Carlos Cruz-Diez Foundation offers to restore the object in Paris as a free service, because of the discolouration which was caused by pigment experiments of the artist. We would like to thank the Carlos Cruz-Diez Foundation, Paris, for the scientific consulting via e-mail based on photos. Provenance: private collection.
Geb. 1923 Caracas.
«Physichromie N° 1.324». Chromographie und Kunststoff. Arrangement von parallelen, orange-blauen Linien vor drei versetzt zueinander angeordneten, weißen Quadraten mit leichten rötlichvioletten Schattierungen vor schwarzem Hintergrund. Darüber parallele Reihen spiegelnder Lamellen. Verso auf Künstleretikett bet., 2000 dat., bez. «Editiona Trois Exemplares» sowie mit Bleistift sign. und 3/3 num. H. 20,5, B. 43 cm. Holz-Künstlerrahmen.
Die Carlos Cruz-Diez Foundation bietet an, dieses Werk kostenlos in Paris restaurieren zu lassen, da der Künstler hier mit verschiedenen Pigmenten experimentiert hat, die mit der Zeit verblasst sind und nicht mehr ihre ursprüngliche Leuchtkraft aufweisen. Die Foundation erachtet es als wichtig, dieses Objekt für den künstlerischen Diskurs in seiner ursprünglichen Form wieder herzustellen. Wir bedanken uns bei der Carlos Cruz-Diez Foundation, Paris, für die wissenschaftliche Beratung anhand von Photos.
Provenienz: Privatsammlung.