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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2003
Herbstauktionen
Beckmann, Max
1884 Leipzig - 1950 New York.
Authors Benno Reifenberg and Wilhelm Hausenstein. Published by Piper, München 1949. With a signed original lithograph by Max Beckmann. Titled on the tissue paper «Komposition» and dated 1948. Original half-calf with illustrated protective cover, in the original cardboard slipcase. Good condition. Protective cover with small tears and age-related traces of use.
Example 35/100 of the deluxe edition with originally two hand-signed original lithographs «Frau mit Fisch» and «Komposition 1948». Lacking the lithograph «Frau mit Fisch».
1884 Leipzig - 1950 New York.
Autoren Benno Reifenberg und Wilhelm Hausenstein. Herausgegeben von Piper, München 1949. Mit einer sign. Originallithographie von Max Beckmann. Auf dem Seidenpapier bet. «Komposition» und 1948 dat. Originaler Halbledereinband mit illustriertem Schutzumschlag, im originalen Kartonschuber. Guter Zustand. Schutzumschlag mit kl. Einrissen und altersbedingten Abnutzungserscheinungen.
H.
Exemplar 35/100 der Vorzugsausgabe mit ursprünglich zwei handsignierten Originallithographien «Frau mit Fisch» und «Komposition 1948». Ohne die Lithographie «Frau mit Fisch».