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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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3364
Herbstauktionen 19.–20.10.2018
Ach, Hans Hausser von attr.
Palatinate or Middle Rhine circa 1600. Conversion of Saint Paul. Oil on copper. Unsigned.
H 27, W 32 cm.
Hans Hausser von Ach is known for his painting «Ecce Homo» at Bayerische Staatsgemäldesammlungen Munich, whereas very few reports of his person are existant. The style of the exponent of German Mannerism is settled nearby Hans von Aachen.
Literature: Heinrich Geissler (Ed.), Zeichnung in Deutschland - Deutsche Zeichner 1540 - 1640, vol. 2, Staatsgalerie Stuttgart, 1979/80, p. 56 et seq. (cf.).

deutsch Pfalz oder Mittelrhein um 1600.
Bekehrung des Heiligen Paulus. Öl auf Kupfer. Unsign.
H. 27, B. 32 cm.
Hans Hausser von Ach ist durch sein Gemälde «Ecce Homo» der Bayerischen Staatsgemäldesammlungen München bekannt, jedoch sind neben diesem Werk nur wenige Zeugnisse zu seiner Person vorhanden. Der Vertreter des deutschen Manierismus bewegt sich stilistisch nahe bei Hans von Aachen.
Literatur: Heinrich Geissler (Hrsg.), Zeichnung in Deutschland - Deutsche Zeichner 1540 - 1640, Bd. 2, Staatsgalerie Stuttgart, 1979/80, S. 56f. (vgl.).
 

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