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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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Frühjahrsauktionen
Mulier, Pieter II
1637 Haarlem - 1701 Mailand.
Coastal landscape with Hero and Leander. Circa 1680. Oil on canvas, relined. Unsigned. Verso numbered on an old handwritten label «4675», as well as auction notes. Restored.
Authentication: Prof. Marcel Roethlisberger, expert for Pieter Mulier and author of the catalogue raisonné, Geneva, 10.04.2010, in copy.
Prof. Roethlisberger judges the present painting after examination in original as an authentic and characteristic work by this highly reputed master. «Typical of Muliers personal style are imaginary coastal views with rocks and tall mountains, the agitated sea, framing trees, rich formations of clouds coloured from yellow to violet» and the execution of the figures in the foreground, which «corresponding fully with his personal manner of figures in the Italian style of the time». Prof. Roethlisberger dates the work around 1680, based on formal and stylistic aspects.
Provenance: private collection Berlin.
1637 Haarlem - 1701 Mailand.
Küstenlandschaft mit Hero und Leander. Um 1680. Öl auf Leinwand, doubliert. Unsign. Verso auf einem alten handschriftlichen Etikett «4675» num. sowie Auktionsvermerke. Altrest.
Echtheitsbestätigung: Prof. Marcel Roethlisberger, Experte für Pieter Mulier und Verfasser des Werkverzeichnisses, Genf, 10.04.2010, in Kopie.
Prof. Roethlisberger beurteilt das Gemälde nach Betrachtung des Originals als authentisches und typisches Werk dieses bedeutenden Malers. Charakteristisch für das Œuvre Muliers ist neben der Wahl und Komposition der einzelnen Bildelemente - Küstenlandschaften mit zerklüfteten Felsen und hohen Bergen und aufgewühlter See, die Szenerie einrahmenden Bäume und sich teilweise bedrohlich auftürmenden Wolkenformationen in dramatischen Farbabstufungen von gelb bis violett - auch die Ausführung der Figuren im Vordergrund, welche in Art und Weise der Darstellung mit denen seiner zeitgleich in Italien entstandenen Gemälde korrespondieren. Prof. Roethlisberger datiert das Werk anhand formaler und stilistischer Aspekte in die Schaffensphase um 1680.
Provenienz: Privatsammlung Berlin.