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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2217
Herbstauktionen 06.–08.12.2012
Megert, Christian
Born 1936 Bern.
«Spiegelobjekt No. 111193 (mirror object no. 111193)». Object box, wood, mirror. Verso finger print, signed and dated (19)67 and stamp «111193». As an extra the signed book «Warum arbeitet Christian Megert mit nichts als Spiegeln?», Bern 1973. Provenance: gallery Howeg, Hinwil; since 1970 in private collection; Sotheby's Amsterdam, auction AM0888A, lot 30; private collection.



deutsch Geb. 1936 Bern.
«Spiegelobjekt No. 111193». Objektkasten, Holz, Spiegel. Ein runder und ein rechteckiger Spiegel übereinander montiert mit einem runden bzw. einem rechteckigen Holzstück in einem schwarz getünchten Holzkasten. Verso Fingerabdruck, sign. und (19)67 dat. sowie Stempel «111193». Als Dreingabe signiertes Büchlein «Warum arbeitet Christian Megert mit nichts als Spiegeln?», Bern 1973. H. 50, B. 35, T. 6 cm.
Provenienz: Galerie Howeg, Hinwil; seit 1970 in Privatsammlung; Sotheby's Amsterdam, Auktion AM0888A, Los 30; Privatsammlung.
 

hammer price: 6500,- EUR
(starting price: 800,- EUR)