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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2141
Winterauktionen 25.–26.11.2022
Rotar, Robert, i.e. Holger Skiebe
1926 Berlin - 1999 Düsseldorf.
Untitled. Spiral.
Charcoal on wove paper. Signed lower right, dated 1979 and with the artist's stamp «ROTAR SKIEBE». Verso on the backing cardboard signed again, with the artist's stamp «ROTAR SKIEBE», corners inscribed with the letters «R O T A» and with astrological symbols.
H 40, W 40 cm (sheet). Unframed.
«ROTAR often painted in a trance-like, meditative state, concentrating entirely on the spiritual situation. However, it was not spontaneous gestures that determined his artistic impetus, but a mental examination of the motif of the spiral. The spiral, for Rotar a symbol of the infinite, the primordial and the ancient eternity, was the theme in which he was able to express the basic questions of the cosmos and being in the most consistent artistic way. It is the key to his work.» Ingrid Skiebe, from: http://www.rotar22.de/biogr.htm.
Provenance: private collection South Germany.

Condition report  


 

starting price: 300,- EUR