Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
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Image under artist's copyright. |
2034
Herbstauktionen 19.–20.10.2018
Kollwitz, Käthe
1867 Königsberg - 1945 Moritzburg.
«Das Bangen (Das Warten) (the trembling - the waiting)». Lithograph on brown paper, mounted on backing cardboard at the upper margin. Signed lower left in the stone as well as typographically titled and inscribed lower middle. Verso with lithograph «Samariter» by Max Liebermann. Light-stained.
H 46,5, W 30,3 cm (sheet). Unframed.
Example of the weekly art print «Kriegszeit. Künstlerflugblätter»,
Catalogue raisonné: Klipstein 126 II b; Knesebeck 132 II b.
1867 Königsberg - 1945 Moritzburg.
«Das Bangen (Das Warten)». Lithographie auf braunem Papier, am oberen Rand auf Unterlagekarton montiert. U.l. im Stein sign. sowie Mitte u. typographisch bet. und bez. Verso Lithographie «Samariter» von Max Liebermann. Lichtrandig.
H. 46,5,
Exemplar aus dem Wochenkunstblatt «Kriegszeit. Künstlerflugblätter»,
Werkverzeichnis: Klipstein 126 II b; Knesebeck 132 II b.