.
Karl Hauptmann
«The Feldberg Painter»
24th April 1880 – 7th April 1947
Karl Hauptmann was born on 25th of April in 1880 in Freiburg i.Br., Germany. He received his artistic training in Nürnberg and Munich and was thereafter engaged as a decorative painter.
In 1908 he produced the first of what were to be his typical Black Forest paintings. In the years between 1915 and 1919, he produced numerous images of the Alpine region he had visited during his deployment with the mountain infantry in the First World War.
In 1918 Karl Hauptmann purchased «Molerhüsli», which for him encompassed his dwelling, atelier, and exhibition space. It soon became a favourite meeting place for skiers, hikers, students, and visitors to Feldberg.
Due to Hauptmann’s ever-present health problems, his doctor prescribed a trip to Italy in 1940, to which he again travelled the following year.
On 7th of April in 1947, Karl Hauptmann died at the age of 67 at his «Molerhüsli».
Lit.: Exhibition Catalogue, Feldberg, 1993.
Karl Hauptmann
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3002
Winterauktionen 08.–09.12.2017
Amiet, Cuno
1868 Solothurn - 1961 Oschwand.
«Boulevard Brune» - street scene in Paris. Oil on canvas. Monogrammed lower right and dated (19)35. Verso on the stretcher inscribed «C. Amiet, Boulevard Brune 1935».
Provenance: purchased directly from the artist, collection Eugen Loeb, Muri/Bern; collection Victor Loeb, Muri/Bern; private collection Switzerland.
Exhibition: Cuno Amiet in der Sammlung Loeb (Collections Loeb), Biel, Centre PasquArt, 2001.
Catalogue raisonné: The work is registered on the online version of the catalogue raisonné at the Schweizerisches Institut für Kunstwissenschaft, Zurich, as an authentic work by Cuno Amiet, archive 
1868 Solothurn - 1961 Oschwand.
«Boulevard Brune» - Pariser Straßenszene. Öl auf Leinwand. U.r. monogr. und (19)35 dat. Verso auf dem Keilrahmen bez. «C. Amiet, Boulevard Brune 1935».
H.
Provenienz: direkt beim Künstler erworben, Sammlung Eugen Loeb, Muri/Bern; Sammlung Victor Loeb, Muri/Bern; Privatsammlung Schweiz.
Ausstellung: Cuno Amiet in der Sammlung Loeb (Collections Loeb), Biel, Centre PasquArt, 2001.
Werkverzeichnis: Das Werk ist im Schweizerischen Institut für Kunstwissenschaft, Zürich als eigenhändige Arbeit von Cuno Amiet unter der Archiv-Nr. 80 661 registriert und in der Online-Version des Werkkatalogs verzeichnet.