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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2042
Jubiläumsauktionen 06.–07.12.2019
Schliepstein, Gerhard
1886 Braunschweig - 1963 Berlin.
«Flüchtige Rehe (fugitive deer)».
1924. Dark brown patinated bronze, mounted on marble base. Signed to plinth.
H 28, W 33 cm (with base).
The design for the sculpture was also executed in porcelain in the 1920s for the art department Rosenthal, Selb.
Provenance: private collection Berlin.
Literature: Erwin Müller (Ed.), Die Wiedergeburt des Porzellans, Eine kultur- und kunstpsychologische Einführung in die Porzellanplastik Gerhard Schliepsteins, Munich 1930, ill. 3 (cf.). 
Schliepstein, Gerhard
1886 Braunschweig - 1963 Berlin.
«Flüchtige Rehe».
1924. Bronze, dunkelbraun patiniert, auf Marmorsockel montiert. Auf der Plinthe sign.
H.
Der Entwurf für die Plastik wurde in den 1920er Jahren für die Kunstabteilung Rosenthal, Selb, auch in Porzellan ausgeführt.
Provenienz: Privatsammlung Berlin.
Literatur: Erwin Müller (Hrsg.), Die Wiedergeburt des Porzellans, Eine kultur- und kunstpsychologische Einführung in die Porzellanplastik Gerhard Schliepsteins, München 1930, Abb. 3 (vgl.).