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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2219
Herbstauktionen 04.–05.10.2013
Petrick, Wolfgang
Geb. 1939 Berlin.
«Der perfekte Schuh (the perfect shoe)». Acrylic on canvas. Signed and dated (19)68 lower right. Verso on stretcher frame label. Authentication: Wolfgang Petrick, via 
Geb. 1939 Berlin.
«Der perfekte Schuh». Acryl/Lw. Farbenfrohe Darstellung zweier stark abstrahierter Figuren, sich zusammensetzend aus maschinenähnlichen Teilen, darüber ein paar Turnschuhe in Verbindung stehend mit weiteren farbigen Elementen und geometrischen Strukturen. U.r. sign. und (19)68 dat. Verso auf Keilrahmen Klebeetikett.
Wolfgang Petrick entwickelte in den sechziger und siebziger Jahren gemeinsam mit Hödicke und Lüpertz den Kritischen Realismus - als eine Art Abwehrreaktion. Ziel war es, mit der Intoleranz und Verbohrtheit der deutschen Nachkriegszeit zu brechen. Seine Bilder sind direkt, verschachtelt und doch klar, seine Protagonisten zeigen Spuren von Verletzungen, die keine sind, sondern vielmehr sich zu einem Gebilde zusammenfügende Bausteine. (vgl. Herzogenrath/Falckenberg
Echtheitsbestätigung: Wolfgang Petrick, via
Provenienz: Privatsammlung Südbaden.
Literatur: Prof. Dr. Wulf Herzogenrath/Prof. Dr. Harald Falckenberg, P(r)unk, Hamburg 2010,