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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3025
Winterauktionen 19.–20.11.2021
Mucha, Alphonse
1860 Ivancice/Moravia - 1939 Prague.
«Les Saisons (Hiver, Printemps, Été, Automne)». Seasonal allegories on four calendar sheets, each with three monthly overviews for the year 1898.
1897. Lithographs in colours on strong wove paper. Each signed lower right on the stone. On the winter sheet dated 1898 on the stone.
H 42,8,
Published by F. Champenois, Paris. «With the decorative panel set of The Seasons of 1896 a proven success, Champenois had Mucha repeat the idea in a new design in 1897, and the result are four more lovely nymphs in arresting poses. Other than Winter who sits all wrapped up and huddled against the cold, they frolic about in diaphanous clothes, their buoyant hair roaming freely in the best Mucha tradition.[...]» from: Jack Rennert and Alain Weil, Alphonse Mucha, The Complete Posters and Panels, Uppsala 1984, p. 151.
Catalogue raisonné: Rennert/Weil 37, variant 2.
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