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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2066
Frühjahrsauktionen 14.–16.06.2012
Schmidt-Rottluff, Karl
1884 Rottluff - 1976 Berlin.
E «Anemonen». 1962. Watercolour on paper. Work number 6257 lower left in pencil and signed lower right. Verso titled and probably numbered 63/55 by the artist. Verso traces of mounting on the margin. Passepartout. Authentication: Mrs Christiane Remm, archive Brücke Museum/Karl and Emy Schmidt-Rottluff foundation, Berlin, via e-mail, based on photos. The painting is listed in the archive Karl and Emy Schmidt-Rottluff foundation. Provenance: private collection Baden.
1884 Rottluff - 1976 Berlin.
«Anemonen». 1962. Aquarell/Papier. In ausdrucksstark leuchtenden Farben gemaltes Stillleben mit roten und violetten Anemonen in einer braunen Steinvase, daneben ein blaues Glasgefäß sowie eine längliche Keramikvase in Grün-, Blau- und Brauntönen auf einer braun-roséfarbenen Tischdecke. Mit Bleistift u.l. Werknr. 6257 sowie u.r. sign. Verso bet. und wahrscheinlich von Künstlerhand 63/55 num. Verso Montierungsspuren im Randbereich. H. 50, B. 69,1 cm (Darstellung und Blattgröße). Passepartout.
Echtheitsbestätigung: Frau Christiane Remm, Archiv Brücke Museum/Karl und Emy Schmidt-Rottluff Stiftung, Berlin, via E-Mail, anhand von Photos. Das Aquarell ist im Archiv Karl und Emy Schmidt-Rottluff Stiftung registriert.
Schon früh entwickelte Schmidt-Rottluff, der als Wegbereiter des Deutschen Expressionismus gilt, eine besondere Vorliebe für das Aquarell. Dieses Medium entsprach seinem Wunsch in idealer Weise nach einer spontanen, großzügig vereinfachenden und farbenfroh leuchtenden Malerei. So entstanden bis in die späten 1960er Jahre hinein eindrucksvolle Kompositionen, meist Landschaftsbilder und Stillleben, wie auch die Anemonen. Sie spiegeln wider, was schon den jungen Künstler bewegte: «… das zu fassen, was ich sehe und fühle, und dafür den reinsten Ausdruck zu finden».
Provenienz: badische Privatsammlung.