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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1656
Herbstauktionen 02.–04.12.2010
Bloemen, Pieter van
Vor 1657 Antwerpen - 1720 ebd.
Paar Pferdebilder. Öl/Holz, parkettiert. Zwei gesattelte Pferde nahe einem Zeltlager grasend. Zwei ungesattelte Pferde vor einem Gebäude aus einer Krippe fressend. Eines Mitte l. doppelt monogr. und 1714 dat., anderes Mitte r. monogr. und 1714 dat. Retuschen, feine Spannungsrisse.
Pieter van Bloemen erlernte sein Handwerk zunächst in Flandern und anschließend auch in Lyon und Rom. Auch seine Brüder Jan Frans und Norbert waren als Maler tätig, und es kam häufig zu Kooperationen von Pieter und seinem Landschaften malenden Bruder Jan Frans.
Die Darstellungen von Pferden, auch im Zusammenhang von Schlachten- und Reiterszenen, gehören zu seinen bevorzugten Motiven und stellen sein Können meisterhaft unter Beweis.
A pair of horse paintings. Oil on panel, parquetted. One two times monogrammed and dated 1714 middle left, one monogrammed and dated 1714 middle right. Retouching, thin stress cracks.