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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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4711
Frühjahrsauktionen 14.–16.06.2012
Pippel, Otto Eduard
1878 Lodz - 1960 München.
E «Sonnenstraße in München - Blick auf den Stachus (Sonnenstraße in Munich - view across the Stachus)». Oil on canvas. Signed lower right. Verso titled, signed, dated autumn (19)37 and inscribed «Studie 2».

deutsch 1878 Lodz - 1960 München.
«Sonnenstraße in München - Blick auf den Stachus». Öl/Lw. Belebte Szene in Pastelltönen mit Blick auf die befahrene Straße mit zahlreichen Figuren am Straßenrand und dem Justizpalast im linken Bildhintergrund. U.r. sign. Verso bet., sign., Herbst (19)37 dat. und bez. «Studie 2». H. 38, B. 51 cm.
Im Jahr 1909 ließ sich Pippel in Planegg bei München nieder. Dort entstanden zahlreiche Darstellungen mit Motiven des Münchner Stadtlebens. In perfekt impressionistischer Manier zeigt Pippel hier eine lebhafte Ansicht des berühmten Karlsplatzes, welcher umgangssprachlich auch Stachus genannt wird, in dem für den Künstler typischen, pastos flimmernden Farbauftrag.
 

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