© 2004-2024 Auktionshaus Kaupp GmbH   Impressum   Datenschutzerklärung E-Mail            Telefon +49 (0) 76 34 / 50 38 0

Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

Results of your search

Matches: 11/88 back Navigation left | overview Navigation top | continue Navigation right | send e-mail email | Survey of the artists  


 Image under artist's copyright.

2053
Herbstauktionen 19.–20.10.2018
Picasso, Pablo
1881 Málaga - 1973 Mougins.
«Le Picador II». Lithograph in colours on wove paper, mounted on passepartout. Signed lower right. Dated «21.4.61» and «6.3.61 II» lower left in the stone. Light-stained, small tear outside the depiction.
H 24,5, W 31,7 cm (sheet).
One of 50 signed examples of the second version, originally designed for «A los Toros avec Picasso» with texts by Jaime Sabartés, published by André Sauret, Monte-Carlo 1961.
Upon request of his lithographer Mourlot, Picasso edited the first version of this work with each of the 24 colours in his crayon box in order to make it more colourful.
Provenance: private collection Lörrach.
Catalogue raisonné: Bloch 1017; Cramer 113; Mourlot 350.

deutsch 1881 Málaga - 1973 Mougins.
«Le Picador II». Farblithographie auf Velin, auf Passepartout montiert. U.r. sign. U.l. im Stein «21.4.61.» und «6.3.61. II» dat. Lichtrandig, kl. Riss außerhalb der Darstellung.
H. 24,5, B. 31,7 cm (Blattgröße).
Eines von 50 signierten Exemplaren des zweiten Zustands, ursprünglich entstanden für «A los Toros avec Picasso» mit Texten von Jaime Sabartés, herausgegeben von André Sauret, Monte-Carlo 1961.
Auf Wunsch seines Lithographen Mourlot bearbeitete Picasso die erste Version dieses Werkes mit allen 24 Farben seines Wachskreidekastens, um den zweiten Zustand bunter zu gestalten.

Provenienz: Privatsammlung Lörrach.
Werkverzeichnis: Bloch 1017; Cramer 113; Mourlot 350.
 

hammer price: 1700,- EUR
(starting price: 1500,- EUR)