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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2039
Winterauktionen 20.–21.11.2020
Fioreschy, Monika
Born 1947 Auer/South Tyrol, lives and works in Salzburg.
«Silikone grün (silicones green)».
Interwoven silicone tubes, acrylic, perlacrylic, wool and partially gold leaf, in artist's steel-frame. Verso signed and dated 2006. Verso on the stretcher signed again and dated 2006.
H 51,
H 53,
Monika Fioreschy experiments with unusual materials to find new ways of expressing the ancient art of weaving. With the change of material, Fioreschy successfully transfers the ancient technique to an entirely different world: showing the traditional picture weaving from a radically new perspective. The artist developed the new art form of the «transfusion picture» and «silicones». While in the transfusion pictures she injects paint, blood, plant sap into the woven structure with a hypodermic needle, Fioreschy paints the surface of the woven structure in the series of works entitled «silicones». Here you will find rhythmic sequences up to strict geometrical compositions. In this way, Fioreschy steps out of the textile art and loads the woven picture with additional content.
Authentication: We would like to thank the artist for the authentication via
Provenance: med art-collection of the HUG-group,
Literature: Ludwig Tavernier, Beate Reifenscheid (Ed.), Transformation, Monika von Fioreschy, Arbeiten/Works 
Fioreschy, Monika
Geb. 1947 Auer/Südtirol, lebt und arbeitet in Salzburg.
«Silikone grün».
Silikonschläuche verwoben, Acryl, Perlacryl, Wolle und partiell Blattgold, in Künstler-Stahlrahmen. Verso sign. und 2006 dat. Verso auf dem Keilrahmen nochmals sign. und 2006 dat.
H.
H.
Monika Fioreschy experimentiert mit ungewöhnlichen Materialien, um neue Ausdrucksmöglichkeiten für die uralte Webkunst zu finden. Mit dem Materialwechsel gelingt Fioreschy ein Transfer in eine völlig andere Welt, der die herkömmliche
Bildweberei aus einer radikal neuen Perspektive zeigt. Die Künstlerin entwickelte die neue Kunstform des «Transfusionsbildes» und der «Silikone». Während sie beim Transfusionsbild mit einer Injektionsnadel Farbe, Blut, Pflanzensaft in die gewebte Struktur einspritzt, bemalt Fioreschy in der Werkreihe der «Silikone» die Oberfläche der gewebten Struktur. Hier finden sich rhythmische Reihungen bis zu strengen geometrischen Kompositionen. Damit tritt Fioreschy aus der Textilkunst heraus und lädt das Webbild mit zusätzlichen Inhalten auf.
Echtheitsbestätigung: Wir danken der Künstlerin für die Bestätigung der Echtheit via
Provenienz: med art-Sammlung der HUG-Gruppe,
Literatur: Ludwig Tavernier, Beate Reifenscheid (Hrsg.), Transformation, Monika von Fioreschy, Arbeiten/Works