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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3348
Winterauktionen 19.–20.11.2021
Hauptmann, Karl
1880
«Waldinneres (inside the forest)». Creek in the summer fir forest.
Oil on plywood. Signed lower left. Verso signed again and dated 1942, on the artist's original label signed again, handwritten dated 1940, titled and inscribed «Original. Studien. Oel! (original. studies. oil!)» as well as with the data of the work, the price and the owner.
H 50,
Between the bare trunks of old conifers, one looks across a babbling brook to a clearing bordered by small firs. Scattered shrubbery and lush, dark green grass cover the forest floor of this enchanted, shady grove. By all appearances, it is a cool, peaceful refuge of forest solitude, a pristine retreat to linger and dream in the heat of summer. Embodying the mysterious and unconscious in its impenetrability and seeming infinity, the forest has exerted a magical pull as a projection surface for fairy tale visions at least since the beginning of the
Provenance: by donation passed into the property of the housekeeper of the artist; private collection Bad Krozingen.
Catalogue raisonné: Hötzel-Dickel G40-2.
Condition report 