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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2071
Winterauktionen 20.–21.11.2020
Malche, Brigitta
Born 1938 Linz, lives and works in Zurich.
«Spiegelbild (reflection)» from «Schwarzes Licht (black light)».
Collaged mixed media with acrylic-stucco, pigment and graphite on canvas. Verso signed, dated 1998 and titled.
H 112,5, W 82,5 cm. Unframed.
The multi-part series «Black Light» by Brigitta Malche deals with the theme of Genesis. For the artist, black light forms the «spaces of all possibilities» from which materialization emerges. While letters and texts refer to the history of creation, Malche instead connects the numbers with science codes. In this sense, she also understands vertebrae and spine as an energy connecting human and the cosmos.
Authentication: We would like to thank the artist for the authentication via E-Mail, based on photos, 20.08.2020.
Provenance: purchased directly from the artist, in 2002; since then med art-collection of the HUG-group, Freiburg i.Br.
Exhibition: Schöpfungszeiten - Wie was zustande kommt, Landesgalerie Linz am Oberösterreichischen Landesmuseum, 08.06. - 03.09.2000, catalogue, full page illustration, p. 30.

deutsch Malche, Brigitta
Geb. 1938 Linz, lebt und arbeitet in Zürich.
«Spiegelbild» aus «Schwarzes Licht».
Collagierte Mischtechnik mit Acryl-Stuck, Pigment und Graphit auf Leinwand. Verso sign., 1998 dat. und bet.
H. 112,5, B. 82,5 cm. Ungerahmt.
Die mehrteilige Serie «Schwarzes Licht» von Brigitta Malche behandelt das Thema der Genesis. Das schwarze Licht bildet für die Künstlerin die «Räume aller Möglichkeiten», aus denen die Materialisierung hervorgeht. Während Buchstaben und Texte auf die Schöpfungsgeschichte verweisen, verbindet Malche die Zahlen vielmehr mit den Codes der Wissenschaft. In diesem Sinne versteht sie Wirbel und Wirbelsäule auch als eine den Menschen und Kosmos verbindende Energie.
Echtheitsbestätigung: Wir danken der Künstlerin für die Bestätigung der Echtheit via E-Mail, anhand von Photos, 20.08.2020.
Provenienz: erworben 2002 direkt bei der Künstlerin; seitdem med art-Sammlung der HUG-Gruppe, Freiburg i.Br.
Ausstellung: Schöpfungszeiten - Wie was zustande kommt, Landesgalerie Linz am Oberösterreichischen Landesmuseum, 08.06. - 03.09.2000. Katalog, ganzseitige Abbildung, S. 30.
 

starting price: 500,- EUR