.
Karl Hauptmann
«The Feldberg Painter»
24th April 1880 – 7th April 1947
Karl Hauptmann was born on 25th of April in 1880 in Freiburg i.Br., Germany. He received his artistic training in Nürnberg and Munich and was thereafter engaged as a decorative painter.
In 1908 he produced the first of what were to be his typical Black Forest paintings. In the years between 1915 and 1919, he produced numerous images of the Alpine region he had visited during his deployment with the mountain infantry in the First World War.
In 1918 Karl Hauptmann purchased «Molerhüsli», which for him encompassed his dwelling, atelier, and exhibition space. It soon became a favourite meeting place for skiers, hikers, students, and visitors to Feldberg.
Due to Hauptmann’s ever-present health problems, his doctor prescribed a trip to Italy in 1940, to which he again travelled the following year.
On 7th of April in 1947, Karl Hauptmann died at the age of 67 at his «Molerhüsli».
Lit.: Exhibition Catalogue, Feldberg, 1993.
Karl Hauptmann
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2019
Frühjahrsauktionen 14.–16.06.2012
Ernst, Max
1891 Brühl b. Köln - 1976 Paris.
E «Va-t'en maudit - ours tu ressembles à Bordure», from the portfolio «Décervelages». Lithograph in colours on Japan paper. In the stone titled. Numbered XXII/XXXIII lower left and signed lower right in pencil. Passepartout. Provenance: South German private collection. Literature: Max Ernst - Druckgraphische Werke und Illustrierte Bücher, by Alfred M. Fischer and Gabriele Lohberg amongst others, Museum Ludwig, Köln 1990, p. 211 and p. 282, no. 121/7 (cf.). 
1891 Brühl b. Köln - 1976 Paris.
«Va-t'en maudit - ours tu ressembles à Bordure», aus der Mappe «Décervelages». Farblithographie/Japan. Abstrahierte Figuren in Rot. Im Stein u. Mitte bet. Mit Bleistift u.l. XXII/XXXIII num. und u.r. sign. H. 41, B. 30,6 cm (Darstellung). Passepartout.
Aus einer Mappe mit neun farbigen Lithographien zu Alfred Jarrys «Décervelages».
Provenienz: süddeutsche Privatsammlung.
Literatur: Max Ernst - Druckgraphische Werke und Illustrierte Bücher, u.a. von Alfred M. Fischer und Gabriele Lohberg, Museum Ludwig, Köln 1990, S. 211 und S. 282, Nr. 121/7 (vgl.).