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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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Frühjahrsauktionen
Janensch, Gerhard
1860 Zamborst - 1933 Berlin.
Iron founder. Dark patinated bronze. Signed to plinth and dated «G. Janensch 1918».
Provenance: private collection Badenweiler.
1860 Zamborst - 1933 Berlin.
Der Eisengießer. Bronze, dunkel patiniert. Auf der Plinthe sign. und dat. «G. Janensch 1918».
Gerhard Janensch gehört zu den namhaften Repräsentanten des Realismus und Naturalismus. Als Vertreter der bedeutenden Berliner Bildhauerschule gestaltete er die Entwicklung der europäischen Bildhauerkunst des 19. und beginnenden 20. Jahrhunderts entscheidend mit. Für seine Arbeiterfiguren ließ er sich häufig von dem Milieu der modernen Stahl- und Hüttenindustrie inspirieren. Mit ihrer genrehaft-realistischen Darstellungsart nehmen sie einen vorrangigen Platz innerhalb der Kunstgeschichte ein. Eine lebensgroße Version des «Eisengießers» befindet sich heute auf der Museumsachse in Hamburg-Harburg.
Provenienz: Privatsammlung Badenweiler.