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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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5538
Herbstauktionen 06.–08.12.2012
Pchelin, Vladimir Nikolaevich
1869 Kiew - 1941 Moskau.
Summer. Oil on canvas, relined. Signed in Cyrillic and dated 1915 lower right. Restored, minor retouching. Expert report: Federal agency for art and cinematography, federal office for culture, Russian artistic I.E. Grabar Centre for scientific restoration, Moscow, 10.07.2002, in copy.





deutsch 1869 Kiew - 1941 Moskau.
Sommer. Öl/Lw., doubl. Frau mit hochgesteckten Haaren und weißem Kleid mit ernstem, wachem Blick zum Betrachter schauend, inmitten blühender Vegetation stehend und weiße Rosen aus einem Strauch schneidend. U.r. in Kyrillisch sign. und 1915 dat. Rest., kl. Retuschen. H. 99,5, B. 66,5 cm.
Das Werk zeigt ein Porträt der Frau des Künstlers.
Gutachten:
Bundesagentur für Kunst und Kinematographie, Staatliches Bundesamt für Kultur, Allrussisches künstlerisches I.-E.-Grabar-Zentrum für wissenschaftliche Restaurierung, Moskau, 10.07.2002, in Kopie.

 

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