© 2004-2024 Auktionshaus Kaupp GmbH   Impressum   Datenschutzerklärung E-Mail            Telefon +49 (0) 76 34 / 50 38 0

Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

Results of your search


 Image under artist's copyright.

2019
Winterauktionen 19.–20.11.2021
Evard, André
1876 Renan - 1972 Le Locle.
«Yellow and red roses».
1955. Oil on cardboard. Signed lower middle. Verso on the back board on a printed label dated, titled and inscribed with the work's data as well as a collection label with handwritten inventory number «JM 1645».
H 35, W 27 cm (support). Framed.
André Evard is an artist who stands out for his peculiar non-conformity. In the course of his long career Impressionism, Art Nouveau and Constructivist art have left their mark. In classical Impressionist manner, series are particularly important to Evard: again and again he approaches the theme of ‹roses› in different colours, forms and styles. In the overall view, a life's work emerges that eludes the strict categories of art history with carefree ease.
Provenance: private collection Kaiserstuhl.

Condition report  


 

hammer price: 2500,- EUR
(starting price: 2500,- EUR)