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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1762
Frühjahrsauktionen
Gotsch, Friedrich Karl
1900 Kiel - 1984 St. Peter Ording.
E Still life with red sculpture. Oil on hessian. Monogrammed upper right. Provenance: A gift from the artist to the family of the consignor.
1900 Kiel - 1984 St. Peter Ording.
Stillleben mit roter Skulptur. ÷l/Rupfen. In leuchtendem Komplement”rkontrast, im Bildzentrum auf einem Tisch, mit betenden H”nden eine weibliche Skulptur in einem intensiven Rotton vor dem Hellgr¸n der dahinterliegenden Wand. Schr”g dahinter in einer Keramikvase gr¸ne Zweige mit gelben Bl¸ten, links daneben eine Schale. In der rechten Bildh”lfte eine weitere Schale mit einer Orange. O.r. monogr. H. 50, B. 62 cm.
Beeinflusst von den Werken Edvard Munchs und denen seines Lehrers an der Dresdener Kunstakademie, Oskar Kokoschka, malte Gotsch expressive Bilder mit pastosem Duktus und leuchtender Farbigkeit, deren Intensit”t er durch das Spiel mit Komplement”rkontrasten, wie auch auf dem vorliegenden Gem”lde, noch verst”rken konnte.
Provenienz: Geschenk des K¸nstlers an die Familie des Einlieferers.