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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2173
Winterauktionen 19.–20.11.2021
Wagner, Günter
Born 1955 Karlsruhe, lives and works in Bruchsal.
«Stehender III (Hommage à Rodins Balzac) (standing figure III - homage à Balzac by Rodin)».
2008. Blue-green patinated, massive bronze. Monogrammed on the base.
H. 23, W 10, D 10,5 cm.
Auguste Rodin's massive bronze monument to the writer Honoré de Balzac, which Günter Wagner uses here as a source of inspiration, was probably one of the most controversial works of art of the late 19th century. Rodin worked for six years on this sculpture, which was finally rejected by the commissioners because Balzac's massive body clad in a cloak and the coarse facial features met with public disapproval. The crude model had nothing to do with the mature French monument tradition but in the meantime, the sculpture has become an icon of modernity.
Wagner reliably transposes Balzac's massive figure into abstracted forms and recurs to the towering raw silhouette. Moreover, he breaks new ground with his «Hommage à Rodin's Balzac»: he takes the massive figure literally and produces his sculpture as a massive bronze casting, weighing 6,7 kg
.
Provenance: studio of the artist.
Exhibition: Schwerkraft und Leichtigkeit, Angelika Summa - Günter Wagner, Hildesheim, Galerie im Stammelbach-Speicher, 11.05. - 08.06.2008; Paris, Salon Réalités Nouvelles, 2009.

Condition report  


 

starting price: 1500,- EUR