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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2004
Herbstauktionen 04.–05.10.2013
Bissier, Julius
1893
«24.6.49», «März 49», «6.5.49», «29.5.49», «16.4.50» and «15.2.51». Original portfolio with six woodcuts on japon. 1969. Published by Lisbeth Bissier. On first page signed by publisher and numbered 1/16 in pencil. Each numbered 1/16 and signed by publisher and titled in pencil. Blind stamp «Julius Bissier» lower right. Minor foxing. Provenance: purchased by the consignor at Art Basel; since then South German private collection.
1893
«24.6.49», «März 49», «6.5.49», «29.5.49», «16.4.50» und «15.2.51». Originalmappe mit sechs postum gedruckten Holzschnitten/Japanpapier. 1969. Herausgegeben von Lisbeth Bissier. Im Druckvermerk vom Hrsg. sign. und 1/16 num. Jeweils mit Bleistift 1/16 num. und vom Hrsg. sign. sowie bet. Jeweils u.r. mit Blindprägestempel «Julius Bissier». Min. Stockflecken.
Nachträglich von seiner Ehefrau Lisbeth Bissier in Auftrag gegebene Holzschnitte aus den vom Künstler selbst geschnittenen Holzstöcken von
Provenienz: vom Einlieferer auf der Art Basel erworben; seitdem süddeutsche Privatsammlung.