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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1761a
Frühjahrsauktion 05.–07.06.2008
Martin, Henri Jean Guillaume
1860 Toulouse - 1943 La Bastide du Vert.
Öl/Lw. «Bouquet de fleurs». Sommerblumenstrauß mit hellgelben Chrysanthemen und roten sowie rosafarbenen Dahlien in zylindrischer Vase auf einem Tisch vor violettfarbenem Fond. U.r. sign.
Echtheitszertifikat von Cyrill Martin, dem Enkel des Künstlers, vom 20.02.2006 liegt vor.
Vertreter des französischen Neoimpressionismus.
Studium an der École des Beaux-Arts in Toulouse unter Jules Garipuy, anschließend Schüler von Jean-Paul Laurens in Paris. 1886 Ausstellung im Pariser Salon. Ende der 1880er Jahre löste sich Martin vom akademischen Stil seiner Frühwerke und entwickelte unter dem Einfluss der Postimpressionisten sowie der Symbolisten seinen eigenen impressionistisch pointillistischen Stil mit lockerem pastosem Duktus.
Vorwiegend bekannt für Landschaftsdarstellungen, oftmals durch Figuren belebt, sowie für Blumenstücke.
Postimpressionistischer Maler.
Lit.: AKL, Bénézit, Thieme-Becker, Vollmer.