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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2032
Winterauktionen 20.–21.11.2020
Eckle, Michael
Born 1951 Albstadt, lives and works in Gauting.
«oltremare».
Pigments and acrylic on primed canvas. Verso signed, dated «5-7/1997» and titled as well as with the work's data. Slight surface soiling.
H 150,
In his mostly large-format works, Michael Eckle devotes himself exclusively to the colour ultramarine. Eckle calls himself «obsessed» with the pigment ultramarine. «It came from across the sea, from oltre mare», he explains in an interview. This is where not only the name of the colour comes from but also the titles of many of his works. «It is the only colour that is present in space with intensity and at the same time give deep space.» from: Stephanie Schwaderer, Im Jenseits der Farben, Süddeutsche Zeitung, 30.09.2016. The edges of the canvas in signal yellow form an imaginary frame.
Authentication: We would like to thank the artist for the authentication via
Provenance: purchased directly from the artist; since then private collection Klaus Hug,
Literature: Oltremare Königswiesen (Ed.), Ultramarinblau, Königswiesen 1998 (cf.). 
Eckle, Michael
Geb. 1951 Albstadt, lebt und arbeitet in Gauting.
«oltremare».
Pigmente und Acryl auf grundierter Leinwand. Verso sign., «5-7/1997» dat. und bet. sowie mit den Angaben zum Werk. Leichte Oberflächenverschmutzung.
H.
In seinen zumeist großformatigen Arbeiten widmet sich Michael Eckle ausschließlich der Farbe Ultramarin. Eckle selbst nennt sich «besessen» von dem Pigment Ultramarin. «Es kam von jenseits der See, von oltre mare», erklärt er in einem Interview. Daher stammt nicht nur der Name der Farbe, sondern auch die Titel zahlreicher seiner Werke. «Es ist die einzige Farbe, die mit Intensität in den Raum gehen und zugleich tiefen Raum geben kann.» aus: Stephanie Schwaderer, Im Jenseits der Farben, Süddeutsche Zeitung, 30.09.2016. Die in Signalgelb gefassten Leinwandränder bilden einen imaginierten Rahmen aus.
Echtheitsbestätigung: Wir danken dem Künstler für die Bestätigung der Echtheit via
Provenienz: erworben direkt beim Künstler; seitdem Privatsammlung Klaus Hug,
Literatur: Oltremare Königswiesen (Hrsg.), Michael Eckle, Ultramarinblau, Königswiesen 1998 (vgl.).