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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

3026
Winterauktionen 24.–25.11.2023
Acht, René
1920 Basel - 1998 Herbolzheim.
Untitled.
Cut-out made of black photo cardboard, tissue paper and string on strong carboard. Unsigned. Verso on the backboard on a label with estate stamp as well as dated «18.9.2023» by hand and inscribed «Nachlass René Acht, Bärbel Acht (estate René Acht, Bärbel Acht)».
H 49, W 49 cm (frame). Framed.
«In the seventies, René Acht expanded the area-bound cut-outs into the spatial by including various materials such as string, cotton wool, foil, tissue paper or ink. [...] He uses them only very sparingly and purposefully. His particular interest is in allowing the materials to enter into a symbolic relationship with the cut-outs in order to create different levels of reality. [...] Strings knotted into them bundle or tie together what threatens to tear apart, connects what is separate, closes spatial openness and condenses energies.» from: Städtische Museen Freiburg (Ed.), René Acht, Scherenschnitte 1968 - 1998, Freiburg i.Br. 2003, w/o p.
Authentication: We would like to thank Ms Bärbel Acht and Mr Andreas H.H. Suberg, Nachlass René Acht, for the authentication based on the original on-site, 18.09.2023.
Provenance: private collection Dreiländereck.

Condition report  


 

hammer price: 480,- EUR
(starting price: 200,- EUR)