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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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| Survey of the artists
 Image under artist's copyright. |
3067
Winterauktionen 24.–25.11.2023
Brodwolf, Jürgen
Born 1932 Dübendorf, lives and works in Kandern.
«Paar vor Landschaft/Pompejanischrot (couple in front of a landscape/Pompeian red)».
1997. Assemblage made of pigments and cotton fabric as well as figure reliefs bandaged with gauze on canvas. Unsigned.
H 144,
«Mummies might be displayed like this, in boxes with glass covers. A comparison that arises involuntarily when looking at Jürgen Brodwolf's works: small and medium-sized bent figures, moulded from cardboard, gauze and glue or collaged from paper; or the ‹human› shaped paint tube itself. They all have an effect. Rejection may be one reaction, fascination is a far more likely one.» from: Gert Heiland, Wahre Kunst für die Sinne, die Gefühle und den Verstand, neue Werke von Jürgen Brodwolf im Leinwandhaus, in: Wetzlarer Neue Zeitung, 26.06.1997, p.
Guarantee of authenticity: Timm Gierig, Galerie Timm Gierig, Frankfurt a.M., 02.07.1997.
Authentication: We would like to thank the artist for the verbal authentication, based on photos, 05.09.2023.
Provenance: purchased at Galerie Timm Gierig, Frankfurt a.M., in 1997; since then private collection Dreiländereck.
Invoice: Galerie Timm Gierig, Frankfurt a.M., 31.07.1997, invoice amount
Condition report 